{"id":3133,"date":"2023-06-15T18:52:36","date_gmt":"2023-06-15T18:52:36","guid":{"rendered":"https:\/\/imaneo-data.inha.fr\/?post_type=project&#038;p=3133"},"modified":"2023-10-09T12:19:31","modified_gmt":"2023-10-09T12:19:31","slug":"tozeur-railway-station","status":"publish","type":"project","link":"https:\/\/imaneo-data.inha.fr\/en\/project\/tozeur-railway-station\/","title":{"rendered":"Tozeur Railway Station"},"content":{"rendered":"","protected":false},"featured_media":1365,"template":"","class_list":["post-3133","project","type-project","status-publish","has-post-thumbnail","hentry","project_theme-dissemination-en","project_theme-nationalism-imperialism","project_theme-neo-moorish-in-the-maghreb","project_theme-sources-en"],"acf":{"projects":{"project_info":{"color":"#00a9d2","icon":1362,"location":"Tozeur, Tunisia","year":"1910-1912","architects":[330],"map":{"longitude":33.9188212352679,"latitude":8.12190035833848}},"":null,"gallery":[1867,1864,1876,1960,1900,1894,1957,1879,1870,1882,1936,1891,1903,1954,1897,1888,1942,1945,1951,1885],"history":{"projects_history_media":{"content_type":"Image Gallery","video_single":{"number":"","title":"","image":null},"gallery":[2665,1909,2656,603,2659,1921,1906,2394,2662,1933,1915,1930,1927,1912,1924],"video_gallery":null},"content":"The history of the construction of Tozeur railway station is indissociable from the history of the Compagnie des Phosphates et du chemin de fer de Gafsa<code class=\"is-trigger\" data-order=\"1\"><\/code>. This colonial enterprise was founded in 1896 to mine phosphate deposits in the Metlaoui region of southern Tunisia<a id=\"nh2\" href=\"#nb2\" aria-describedby=\"nb2\">[1]<\/a>. In 1899, the company completed the Gafsa-Sfax line to move ore towards the Mediterranean. It then signed a contract with the Tunisian government in 1904 to study extending the rail line to the oases at Dj\u00e9rid which was, according to the company, \u201cthe biggest population center in inland Tunisia, undoubtedly likely to attract crowds of tourists and winter residents.\u201d At its 1910 shareholders\u2019 meeting, the company reported on the advancement of the Metlaoui-Tozeur line. The project had just been approved by the executives of the public-works department, and construction was set to begin<a id=\"nh2\" href=\"#nb2\" aria-describedby=\"nb2\">[2]<\/a>.\n\nTo build this public infrastructure, the government did resort to financing from the private corporation, which was then reimbursed by being exonerated from taxes and duties on its mining activities.\n\nThe exact date when works on the station began is unknown, but can be estimated to have been circa 1910. The building was completed shortly before the 1913 opening of the rail line, as attested by a report on a visit from the members of the French Association for the Advancement of the Sciences. They remarked upon \u201cthe varicolored brick mosaic of Tozeur station, shiny and brand-new.\u201d<a id=\"nh2\" href=\"#nb2\" aria-describedby=\"nb2\">[3]<\/a>\n\nProbably designed by company engineers, the building belongs to the common typology of rural stations of the French rail network. Typically, the project included the ticket lobby, luggage service, waiting room, and stationmaster\u2019s dwelling. Like the station at Sfax<code class=\"is-trigger\" data-order=\"3\"><\/code>, built in the late 19<sup>th<\/sup> century, the structure is a symmetrical composition with a large central section and two narrow naves, covered with a flat roof terrace. Unlike the station at Sfax, however, the central section is two stories high whereas the naves had a single street level.\n\nThe sleek, functional building is also distinctive due to the type of materials and fa\u00e7ade decoration. Like much of turn-of-the-20<sup>th<\/sup>-century railway station design, it drew inspiration from local architecture<code class=\"is-trigger\" data-order=\"4\"><\/code>. In this case, the regionalist concept is expressed by the use of a terra-cotta brick construction technique called \u0161k\u00fbka. It consists of producing a decorative wall facing by laying the bricks in various patterns: in horizontal bands, some of which are denticulated or herring-boned, and in a diamond-shaped mesh organized as tables around the bays.\n\nThis reinterpretation of the traditional architecture from the Dj\u00e9rid region<a id=\"nh2\" href=\"#nb2\" aria-describedby=\"nb2\">[4]<\/a> <code class=\"is-trigger\" data-order=\"4\"><\/code> stands out from the neo-Moorish style of the period, in which motifs were borrowed from a variety of Islamic arts without concern for coherence with local tradition. However, the decoration does not entirely escape the clich\u00e9s of the Tunisian neo-Moorish style. The tile decoration on the vestibule walls, behind the triple-arched entryway, is related to that of city dwellings in northern Tunisia. The same is true of the powerful roof moldings, covered with glazed tiles.\n\nThe style, which could be described as \u201cneo-Djeridian,\u201d was repeated in several of the public buildings in Tozeur (the ca\u00efdat, or municipal leader\u2019s home; the post office; the contr\u00f4le civil, or police station; the governor\u2019s house, and the schools)<code class=\"is-trigger\" data-order=\"5\"><\/code>, and also for one of the first hotels in the oasis, the Grand H\u00f4tel Bellevue owned by the Disegni family<code class=\"is-trigger\" data-order=\"9\"><\/code>. This prominent Jewish family from Livorno, who had settled in Tunis, had long been known locally for its activities in the date-palm business and tourism trade, with the publication of postcards, for example. Likewise, they were in the brick-making business. Thus, picture postcards of the station, published in the 1910s by the family, note that the bricks were supplied by none other than T. [T\u00e9obaldo] Disegni (1867-1935)[T\u00e9obaldo].\n\nConstruction has been attributed to the Italian-born contractor Almo Pucciarelli, who had established a business in Sfax. Pucciarelli is also thought to have built the \u201cMonopoles\u201d building (housing the tax administration) in Tozeur, built in the same architectural style.\n<h4>Notes<\/h4>\n<ul>\n \t<li id=\"nb1\" tabindex=\"-1\"><a title=\"retour au texte 1\" href=\"#nh1\">[1]<\/a> <em>Cie des phosphates et chemins de fer de Gafsa (Tunisie)<\/em>, April 3 1897.\n<em>Les mines et installations de la Cie tunisienne des phosphates du Djebel Mdilla (Tunisie)<\/em>, Tunis: A. Perrin, 1923. URL : <a href=\"https:\/\/octaviana.fr\/document\/FJDNM050\">https:\/\/octaviana.fr\/document\/FJDNM050<\/a>, consult\u00e9 le 18 janvier 2023.<\/li>\n \t<li id=\"nb2\" tabindex=\"-1\"><a title=\"retour au texte 2\" href=\"#nh2\">[2]<\/a> <em>L'\u00c9conomiste fran\u00e7ais<\/em>, June 4 1910.<\/li>\n \t<li id=\"nb2\" tabindex=\"-1\"><a title=\"retour au texte 2\" href=\"#nh2\">[3]<\/a> Association fran\u00e7aise pour l'avancement des sciences. 42, Compte-rendu de la 42e session Tunis 1913 ; <em>Le Phosphate<\/em>, 8 juin 1914.<\/li>\n \t<li id=\"nb2\" tabindex=\"-1\"><a title=\"retour au texte 2\" href=\"#nh2\">[4]<\/a> Abdellatif Mrabet, <em>L'art de b\u00e2tir au J\u00e9rid: \u00e9tude d'une architecture vernaculaire du Sud tunisien<\/em>, 2004 ; Diogo Pereira and Sanja Vrzi\u0107, <a href=\"https:\/\/vimeo.com\/791921513\">Shapes of Earth<\/a>, 2022.<\/li>\n \t<li id=\"nb2\" tabindex=\"-1\"><a title=\"retour au texte 2\" href=\"#nh2\">[5]<\/a> Dominique Jarrass\u00e9, \u201cEn six-roues de Biskra \u00e0 Djerba. Vill\u00e9giature hivernale, \u2018esth\u00e9tique de l\u2019oasis\u2019 et architecture h\u00f4teli\u00e8re r\u00e9gionaliste,\u201d <em>in<\/em> Cyril Isnart, Charlotte Mus-Jelidi and Colette Zytnicki, <em>Fabrique du tourisme et exp\u00e9riences patrimoniales au Maghreb, XIX<sup>e<\/sup>-XXI<sup>e<\/sup> si\u00e8cles<\/em>, Rabat : Centre Jacques-Berque, 2019. DOI : <a href=\"https:\/\/books.openedition.org\/cjb\/1407\">10.4000\/books.cjb.1407<\/a><\/li>\n<\/ul>","projects_history_sidebar":[{"title":"Bibliography","link":{"title":"","url":"https:\/\/imaneo-data.inha.fr\/bibliographie\/#garedetozeur","target":"_blank"},"blank":true},{"title":"Download the description in French","link":{"title":"","url":"https:\/\/imaneo-data.inha.fr\/wp-content\/uploads\/2023\/07\/Notice_tozeur-impression-fr-maj.pdf","target":"_blank"},"blank":true},{"title":"Download the description in English","link":{"title":"","url":"https:\/\/imaneo-data.inha.fr\/wp-content\/uploads\/2023\/09\/Notice_tozeur-impression-en-maj-1.pdf","target":"_blank"},"blank":true},{"title":"Download the description in Spanish","link":{"title":"","url":"https:\/\/imaneo-data.inha.fr\/wp-content\/uploads\/2023\/09\/Notice_tozeur-impression-es-maj.pdf","target":"_blank"},"blank":true}]},"artist":{"projects_artist_media":{"content_type":"Single Video","video_single":{"number":791921513,"title":"Shapes of Earth","image":2361},"gallery":null,"video_gallery":null},"content":"<em>Shapes of Earth<\/em> by Sanja Vrzi\u0107 and Diogo Pereira explores the link that the station maintains with the multisecular constructive tradition of the Djerid oases, through a contemplative film which captures the process of the transformation of raw clay into brick, and then in architecture.","projects_artist_sidebar":null,"projects_artist_credits":[{"title":"Direction and production","content":"Sanja Vrzi\u0107 et Diogo Pereira"},{"title":"Licence","content":"CC-BY-NC-ND"}],"extra":{"iframe":null}},"podcast":{"podcast":null,"projects_podcast_media":{"content_type":"Single Video","video_single":{"number":"","title":"","image":null},"gallery":null,"video_gallery":null},"content":"","projects_podcast_sidebar":null,"projects_podcast_credits":null},"education":[172],"related_topics":{"projects_related_topics_media":{"content_type":"Single Video","video_single":{"number":844857921,"title":"Neomoorish Style in North Africa. 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