{"id":3129,"date":"2023-06-15T20:53:16","date_gmt":"2023-06-15T20:53:16","guid":{"rendered":"https:\/\/imaneo-data.inha.fr\/?post_type=project&#038;p=3129"},"modified":"2023-10-09T12:08:31","modified_gmt":"2023-10-09T12:08:31","slug":"central-market","status":"publish","type":"project","link":"https:\/\/imaneo-data.inha.fr\/en\/project\/central-market\/","title":{"rendered":"Central Market"},"content":{"rendered":"","protected":false},"featured_media":1356,"template":"","class_list":["post-3129","project","type-project","status-publish","has-post-thumbnail","hentry","project_theme-dissemination-en","project_theme-nationalism-imperialism","project_theme-neo-moorish-in-the-maghreb","project_theme-sources-en"],"acf":{"projects":{"project_info":{"color":"#00a9d1","icon":1359,"location":"Tunis, Tunisia","year":"fin XIX<sup>e<\/sup>-d\u00e9but XX<sup>e<\/sup> si\u00e8cle","architects":[2917],"map":{"longitude":36.81897,"latitude":10.16579}},"":null,"gallery":[2128,2122,2119,2116,2113,2110,2092,2083,2107,2104,2080,2068,2071,2089,2095,2074,2098,2101,2077],"history":{"projects_history_media":{"content_type":"Image Gallery","video_single":{"number":"","title":"","image":null},"gallery":[2470,2294,2291,2276,2282,2285,2488,2288,2668,2270,2279],"video_gallery":null},"content":"The history of this large marketplace, first known as the Fondouk el-Ghalla [the fruit market][march\u00e9 aux fruits], then as the Central Market, goes back to the late 19<sup>th<\/sup> century. It is located near Bab el-Bahr, the eastern gate of the city, and is among the first structures built outside the walls of the Medina, in a district developed under the French protectorate in Tunisia (1881-1956). One of the first mentions of the market appears in the 1884 decree establishing its regulations. On a tourist map from 1888<code class=\"is-trigger\" data-order=\"1\"><\/code>, it is designated as the \u201cnew market\u201d and represented as a large plot of land on which a small building stands. The great edifice of today is dated 1891 by architectural historians. Although the date has not been corroborated by architectural drawings, it nevertheless corresponds to the year when the government began to supervise the market (January 1, 1891). The new edifice was in fact built with government funds. In 1918, it was turned over to the municipality of Tunis.\n\nThe first construction housed a vegetable market<code class=\"is-trigger\" data-order=\"8\"><\/code> and a fish market. The building is organized the same way as the older fondouks. The covered areas are arranged along streets<code class=\"is-trigger\" data-order=\"2\"><\/code> surrounding a large central courtyard<code class=\"is-trigger\" data-order=\"3\"><\/code>. The north wing is made of two food halls standing side by side; the other wings have only one hall. In the western half of the courtyard, an isolated hall houses the fish market<code class=\"is-trigger\" data-order=\"5\"><\/code>.\n\nThe building decoration is sober. It is based on the use of the local ornamental repertoire: the flights of arcades opening onto the courtyard are horseshoe arches standing on rectangular pillars. Each arch belongs to a panel, or alfiz, the border of which is emphasized by a ceramic tile frieze forming blue and white chevrons. Recalling the ceramic workshops traditional in this region, tiles with a cross-shaped pattern, also blue and white, are placed on the spandrels of the highest arches. The upper part of the arches in the covered hall is closed with a ironwork grill with a radial pattern that emphasizes the horseshoe shape of the arches. The tops of the walls are crenellated with pyramidal merlons, called Sassanid merlons, common in Tunisian medieval architecture.\n\nThe compound is one of the first examples of neo-Moorish style construction carried out in Tunis after the protectorate was established. It has recently been attributed to the architect Henri Saladin<a id=\"nh2\" href=\"#nb2\" aria-describedby=\"nb2\">[1]<\/a>, who also designed the post office on the same street (1893) in a neo-classical style identical to the style of metropolitan French public buildings. Saladin's study of Tunisian architecture in his reference work <em>Manuel d'art musulman<\/em>, published in 1907 with Gaston Migeon, curator at the Mus\u00e9e du Louvre, bears witness to his interest in the Islamic architecture of Tunisia. It should nevertheless be noted that unlike the post office, the marketplace is not mentioned by Saladin in his book <em>Tunis et Kairouan<\/em> (1908).\n\nIn 1899, at the request of produce vendors who needed to \u201ckeep their products in the shade,\u201d<code class=\"is-trigger\" data-order=\"7\"><\/code> the government made plans to erect new \u201changars in the Fondouk courtyard.\u201d At the end of the year 1900, construction of the first covered pavilion began<a id=\"nh2\" href=\"#nb2\" aria-describedby=\"nb2\">[2]<\/a>. It is made of tall wooden trusses assembled in the workshop and resting on granite piers. A postcard showing the two pavilions, sent in 1906<code class=\"is-trigger\" data-order=\"10\"><\/code>, confirms that they had been completed by then. Unlike the rest of the edifice, they are covered with a tile roof made of four long panels with a double skylight. They bear no neo-Moorish decoration.\n\nIn 1937, the building was remodeled to make access easier<a id=\"nh2\" href=\"#nb2\" aria-describedby=\"nb2\">[3]<\/a>. New doors were created on the western side and the northern fa\u00e7ade was rebuilt. The neo-Moorish style persisted but this time, it was tinted with Art Deco. The inscriptions \u201cCentral Market\u201d in Arabic and French, carved onto the portico entrances on Rue Charles de Gaulle and Rue d\u2019Allemagne, probably date from this period.\n\nIn 1954, plans for a new building<a id=\"nh2\" href=\"#nb2\" aria-describedby=\"nb2\">[4]<\/a> that would replace all of the existing structures were drawn up by French architect Jean-Pierre Ventre. That market was never built.\n\nIn the 2000s, a non-profit association for the preservation of the Medina of Tunis overhauled and modernized the marketplace<a id=\"nh2\" href=\"#nb2\" aria-describedby=\"nb2\">[5]<\/a>. The walls were repainted and all of the outdoor spaces were covered with a canvas-and-steel structure.\n<h4>Notes<\/h4>\n<ul>\n \t<li id=\"nb1\" tabindex=\"-1\"><a title=\"retour au texte 1\" href=\"#nh1\">[1]<\/a> Myriam Bacha, \u201cHenri Saladin (1851-1923) Un architecte '<span class=\"ILfuVd\" lang=\"fr\"><span class=\"hgKElc\">Beaux-Arts'<\/span><\/span> promoteur de l\u2019art islamique tunisien,\u201d <em>in<\/em> Nabila Oulebsir and Mercedes Volait, <em>L'orientalisme architectural entre imaginaires et savoirs<\/em>, Paris: Picard; InVisu (CNRS-INHA), 2009 (D'une rive, l'autre). URL: <a href=\"https:\/\/books.openedition.org\/inha\/4916\">https:\/\/books.openedition.org\/inha\/4916<\/a>. Accessed on July 26 2023.<\/li>\n \t<li id=\"nb2\" tabindex=\"-1\"><a title=\"retour au texte 2\" href=\"#nh2\">[2]<\/a> \u201cAu fondouk El-Ghalla,\u201d <em>La d\u00e9p\u00eache tunisienne<\/em>, Decembre 4 1900. URL:\n<div><b> <\/b> <a href=\"http:\/\/catalogue.bnf.fr\/ark:\/12148\/cb32756164v\" target=\"_blank\" rel=\"noopener\" aria-label=\"http:\/\/catalogue.bnf.fr\/ark:\/12148\/cb32756164v (nouvelle fen\u00eatre)\">http:\/\/catalogue.bnf.fr\/ark:\/12148\/cb32756164v<\/a>. Accessed on July 26 2023.<\/div><\/li>\n \t<li id=\"nb2\" tabindex=\"-1\"><a title=\"retour au texte 2\" href=\"#nh2\">[3]<\/a> \u201cLes travaux d'\u00e9largissement de la rue des Belges \u00e0 Tunis seront prochainement commenc\u00e9,\u201d <em>Travaux nord-africains. B\u00e2timent, architecture, travaux publics, urbanisme<\/em>, December 12 1937. URL: <a href=\"http:\/\/catalogue.bnf.fr\/ark:\/12148\/cb32880417h\">http:\/\/catalogue.bnf.fr\/ark:\/12148\/cb32880417h<\/a>. Accessed on July 26 2023.<\/li>\n \t<li id=\"nb2\" tabindex=\"-1\"><a title=\"retour au texte 2\" href=\"#nh2\">[4]<\/a> \u201cProjet pour le march\u00e9 central de Tunis, J. P Ventre architecte,\u201d <em>Architecture d'Aujourd'hui<\/em>, no. 60, 1955, n. p.<\/li>\n \t<li id=\"nb2\" tabindex=\"-1\"><a title=\"retour au texte 2\" href=\"#nh2\">[5]<\/a> Ahmed Zaouche, \u201cMarch\u00e9 central,\u201d <em>in<\/em> Juliette Hueber and Claudine Piaton (eds.), <em>Tunis. Architectures 1860-1960<\/em>, Arles: Honor\u00e9 Clair; Tunis: Elyzad, 2011, p. 76-77.<\/li>\n<\/ul>","projects_history_sidebar":[{"title":"Bibliography","link":{"title":"","url":"https:\/\/imaneo-data.inha.fr\/bibliographie\/#marchecentraldetunis","target":"_blank"},"blank":true},{"title":"Download the description in French","link":{"title":"","url":"https:\/\/imaneo-data.inha.fr\/wp-content\/uploads\/2023\/07\/Notice-marche-tunis-impression-fr-maj.pdf","target":"_blank"},"blank":true},{"title":"Download the description in English","link":{"title":"","url":"https:\/\/imaneo-data.inha.fr\/wp-content\/uploads\/2023\/09\/Notice-marche-tunis-impression-en-maj-1.pdf","target":"_blank"},"blank":true},{"title":"Download the description in Spanish","link":{"title":"Central Market","url":"https:\/\/imaneo-data.inha.fr\/wp-content\/uploads\/2023\/09\/Notice-marche-tunis-impression-es-maj.pdf","target":"_blank"},"blank":true}]},"artist":{"projects_artist_media":{"content_type":"Single Video","video_single":{"number":"","title":"","image":null},"gallery":[3310,3307,3304,3301,3298],"video_gallery":null},"content":"With <em>MCTunis<\/em>, \u00c9douard Taufenbach and Bastien Pourtout capture the bustle of the market through their photographic exchanges on the social network Instagram, and transcribe it in a work of multicoloured collages inspired by neo-Moorish motifs.","projects_artist_sidebar":null,"projects_artist_credits":[{"title":"Artists","content":"\u00c9douard Taufenbach and Bastien Pourtout"},{"title":"Licence","content":"CC-BY"}],"extra":{"iframe":[{"url":"https:\/\/digital.inha.fr\/imaneovisio\/embed\/?img=MCTUNIS_Planche_Total"},{"url":"https:\/\/digital.inha.fr\/imaneovisio\/embed\/?img=MCTUNIS_Planche_1"},{"url":"https:\/\/digital.inha.fr\/imaneovisio\/embed\/?img=MCTUNIS_Planche_2"},{"url":"https:\/\/digital.inha.fr\/imaneovisio\/embed\/?img=MCTUNIS_Planche_3"},{"url":"https:\/\/digital.inha.fr\/imaneovisio\/embed\/?img=MCTUNIS_Planche_4"},{"url":"https:\/\/digital.inha.fr\/imaneovisio\/embed\/?img=MCTUNIS_Planche_5"},{"url":"https:\/\/digital.inha.fr\/imaneovisio\/embed\/?img=MCTUNIS_Planche_6"}]}},"podcast":{"podcast":[{"audio":2506,"title":"Words of People. Central Market","txt":"With Leila Ammar","img":2113,"pdfs":[{"title":"French transcription","file":2509},{"title":"English transcription","file":2815}]}],"projects_podcast_media":{"content_type":"Single Video","video_single":{"number":"","title":"","image":null},"gallery":null,"video_gallery":null},"content":"","projects_podcast_sidebar":null,"projects_podcast_credits":[{"title":"About this audio","content":"Market sellers and residents tell us about their attachment to this familiar place and its recent transformations."},{"title":"Interviews and writing","content":"Juliette Hueber, Claudine Piaton, Chokri Touhiri, Bulle Tuil Leonetti"},{"title":"Editing","content":"\u00c9l\u00e9onore Clovis"},{"title":"Audio mixing","content":"Alban Lejeune, It sounds good"},{"title":"Licence","content":"CC-BY-NC"}]},"education":[2528],"related_topics":{"projects_related_topics_media":{"content_type":"Single Video","video_single":{"number":844857921,"title":"Neomoorish Style in North Africa. 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